Image Map
Showing posts with label feminism. Show all posts
Showing posts with label feminism. Show all posts

11.10.14

You Don't Know Anything (Come In The Right Way)

If there is one thing that I've learned this month - it is that I do not know anything. 

And you probably don't know anything either.

For some, that last line could have stung a little.  No one ever wants to hear about how much they don't know about something. After all, you've been in school for how many years now? It's embarrassing, daunting, and frustrating. That is, if you let it be. 


I admit these posts have been pretty infrequent ever since I announced my tentative departure from Youtube. As a third year in college, my ass has been grass (to put it eloquently). I could write an entire essay about how tough juggling class, work, volunteering, and relationships are. But I won't. This whole thing is starting to sound a bit too flowery anyways.

What I'm getting at is that I've been happy. I've been happy about not knowing anything. I welcome not knowing anything. Still don't know what I'm talking about? Let's phone a friend then. 

(stills from My So-Called Life created by Winnie Holzman) 

Enter: Angela Chase with her newly dyed "Crimson Glow" hair. For those who are unfamiliar, My So-Called Life starring Claire Danes was this super meta teenage show that lasted from 1994-1995 for one (amazing) season. The story is about Angela Chase, a young girl just coming of age,  dealing with friends, crushes, and all that is high school. What is extremely bizarre about the show is the narration by Angela, an open diary format if you will. Angela intricately questions the disparity between adults and teens, the complexity of relationships, and her frustrations of not knowing the answers. It is simply honest (and a little odd at first).

Cut to: me, sitting on my tweed apartment couch having my (first) mental breakdown of the semester. At that point in time, the days were beginning to blur as I constantly was working on some kind of class assignment (I was also paranoid that I was possibly getting mono?). After much internal debate, I decided to partake in one of those "self care" mantras and call in sick to my job. 

 I walked to Noodle's and Company and bought myself a healthy (healthy as it robust - not the size of my palm)  takeout size of their Wisconsin Mac & Cheese with grilled chicken atop. With my mac & cheese in hand, I went back to my apartment, pulled out the plastic fork, and re-watched the first episode of My So-Called Life

Watching My So-Called Life in college made me feel human again. I first binge-watched the show junior year of high school, thanks to my friend Layla who owned the box season. We laughed, we teared up, and then it was over in a flash.  I never revisited the show again until I saw people mentioning it online.  Why was it so compelling? Because I'm still asking those same questions that Angela asked, although now I'm just taken more seriously due to my age. I formed this holy bond with the T.V. show, blessing the creators for bringing it into our world.

(stills from Blue Valentine (2010) dir. Derek Cianfrance)

Then there was Derek Cianfrance - one of my favorite directors. I recently re-watched Blue Valentine (2010) and fell in love with story telling once again. Blue Valentine is a romantic tragedy, I'd say. It's the most honest movie about relationships and how they can fall apart. I don't know what really got me, the Grizzly Bear soundtrack, the cinematography, or the acting by Michelle Williams and Ryan Gosling. 

As someone who enjoys film excessively, sometimes it can be hard to watch something without trying to critique it. After all, how can we tell what's good in a movie unless we categorize and rank it?

 Look for continuity errors! Did they fumble on that line? How about that 180 degree rule, huh?  Oh man, look at that plot structure! 

Especially if you are someone who tries to make films yourself, watching others' work can be a lofty process. Maybe you're bitter because you'll never have the budget they had to make the film. Or maybe you'd feel sad because you feel like you could never make something as good as what you were seeing. Maybe you'll never even get to do what they did. Maybe you'll never make it.

As I watched Blue Valentine on my burning hot laptop, all of those questions faded into the background as I truly just enjoyed the film. Instead of looking for all of the answers, I let myself be still and connect with the characters. I guess that is when you know you really love something. 

(still from White Bird in a Blizzard (2014) dir. Gregg Araki)

So here I am with my hippie-talk: enjoy everything, man! *lights fifth joint*

But wait, didn't I just totally smack talk (twitter plug) Gregg Araki's new film White Bird in a Blizzard?  I've been thinking about this film a lot recently. Regular Curbside Fashion readers know that Gregg Araki is one of my other favorite directors (Doom Generation, Mysterious Skin) and I was anticipating his new film for months. The film was visually beautiful full of shag carpets and piercing blue Eva Green (The Dreamers) eyes, but I simply could not connect with the main actress' performance. 

I was devastated in purely selfish kind of way. I expecting to be fully catered by an artist, a.k.a. a real person. When I disagreed with the choices Araki made, it felt entirely too personal, as if he wronged me or something and I don't think that is good. I realized that the characters were meant to be brash (like all of Araki's other films), but I wouldn't allow it. And please do not get me wrong - you are allowed to dislike movies and critique things. But as I internally complained about how my favorite director let me down, something took over: Sea, Swallow Me by Cocteau Twins & Harold Budd.  

I started to catch myself listening to that song over and over, as it was featured as one of the main tracks in the movie. I began to think back to certain performances (Meloni, Green, Bassett) and now have a stronger appreciation for the film. Even some scenes by Woodley, whom I originally detested, I found to be extremely compelling. My perspective changed and I began to enjoy the film again. Of course there were things that I didn't like, but it wasn't a complete failure like I painted it as originally. 

I started to come in the right way. 


It was Grace Lee Boggs who introduced the ideology "come in the right way" in her book The Next American Revolution. Grace Lee Boggs is a feminist, social activist, and author who primarily focuses her efforts in Detroit, Michigan. In her book, she mentions how important it is to come into situations humbly and respecting others' experiences in order to create real change. Although this could certainly be applied to activism (as it should), it can be applied to almost everything else.

As I see it, coming in the right way is essential for people who are passionate yet discouraged. And being discouraged doesn't always mean seeming fearful of something, discouraged people come in a lot of different shapes and sizes. People who are discouraged can be jealous, bitter, fearful, cowardly, insecure, or negative. They can stop their dreams before they even try to make them happen. 

In this case, coming in the right way means letting yourself have a mental day off and not beating yourself up about it. Coming in the right way means wholeheartedly enjoying your favorite movies and drawing inspiration from them. Coming in the right way means allowing yourself to understand things before you criticize them.


Coming in the right way also means allowing yourself to try out new things. All of the photos above are prints that I took, the long exposure ones in collaboration with my photography friend Zack. For years I had always wanted to take these kind of night photos but never did. I was afraid that it was unsafe for me to go out alone since I was a woman, I was a afraid that the prints would turn out terribly and I'd waste my money, and I was ultimately afraid that I didn't have any talent. 

But I came in the right way and saw the experience as a learning opportunity.  The thrill of going out alone at night and capturing the sodium vapor lights that I always talk about was exhilarating. The act of collaborating with another artist was effortless. And the realization that I do have talent was actually very humbling. 

I guess what I'm trying to get at is to tell yourself that you don't know anything so that you can start from scratch all over again. It's terrifying, I know, but after you get over yourself you'll realize that you have the rest of your life to gain that "insider" status that you want. Stop trying to prove to others that you have something to say if you already know that you do.

Go watch a good movie and come back an entirely different person.

Lauren Rose
Curbside Fashion 


15.9.13

Film Muse: Whip It (2009)

Whip It. Directed by Drew Barrymore (2009).
AMAZING.

Man, films like these make me not feel shitty about the movie industry. Do you ever watch movies that just try so hard that you just can't unsee all the flaws in it? Well, this isn't like that. At all. Whip It is a magical movie that somehow vibes in it's own world away from mediocre filmmaking. It's like everyone who made this film/acts in it is in on some big non threatening inside joke. Like a family or some shit. Okay, time to get eloquent. 
(*choking* "I'm your only friend!!") 
Whip It is this rad film based off a book called Derby Girl by Shauna Cross. It follows the story of Bliss Cavender (Ellen Page) - a teenage nobody much to her parents' dismay, from Bodine, Texas. When her mom takes her to a head shop (dying) something magical happens- the local derby girls come in to drop off flyers for their next match. Bliss and her best friend Pash (Alia Shawkat) then speed off in her grandma's Chevy Celebrity to Austin Texas. A.k.a. - a whole new world of awesome. 
("Ooooh! Pretty vases!")
 I guess I should have mentioned this earlier. This Film Muse post is going to have a butt load of film stills. This is probably one of the most aesthetically appealing movies I've ever seen. I think it's supposed to be set in the late '90s (no cell phones), but they don't force that down the audiences' throats. I like that. The thought that went into every shot and every character is insane.  
("I like your hair" "Thanks! I did it myself!")
 When I first saw this movie back in '09, I did what every impressionable youth does - I wanted to be derby girl. Okay, maybe not do derby, but I wanted to rollerblade down my own street without hurting myself. I strapped up my skates and set out on a wobbling adventure that was actually way more difficult than I thought. I ended up tripping over a twig (YES A TWIG) and scraping up my leg. Punk rock - right? I still have the scar. 

What I like about this film is that it encourages young women to be brave. To get outside their comfort zones and defy stereotypes. Of course along the way it might be shitty, but ultimately euphoria will kick in. One of my favorite lines from the movie is when Bliss' mother is lecturing her about spending her time doing something  like derby - and she responds:

Bliss' Mom: "This is a MOMENT..."
Bliss: "Well how great is that?"

What a great line. 
 And then we have the boy. THE boy. Ugh. So cute - yet so painful. I think this was a beautiful take on first time love. The infatuation, the meaningless activities that you do together that actually mean everything to you, and the secret language you both communicate in with just a stupid smile. He broke my heart as much as he broke Bliss'. She gave you her Stryper "In Jesus We Rock" shirt - I WAS ROOTING FOR YOU, WE WERE ALL ROOTING FOR YOU. HOW DARE YOU! (second time I've referenced Tyra on my blog- mind you).  
(Favorite wet dream: Boy + 7 Eleven)
 (Are yOu kidDing me???)
(HELL YEAH)
Oh. And Jimmy Fallon plays the ultimate sleaze-ball announcer to a T . Look at his gaudy blue suit. HE WAS HILARIOUS. You go Jimmy. 
Lastly - let's just give a shout out to the good family vibes. What I learned from this film is that being a teenager isn't all about opposition, it's about living your life in the most fulfilling ways - while still considering your parent's perspectives. You aren't always going to meet your family's expectations, but it doesn't mean they won't love you for what you do. Maybe this is a too "happy go lucky" way of going about it, but I like the way it sounds - so I'm sticking to it.
 With that, I'm going to leave you with one of the most amazing shots of the film: Bliss sitting on the Oink Joint pig. God bless the cinematographer. 
If you haven't seen this movie - I've probably spoiled it for you. Actually, wait. I haven't. Still watch it anyways. It's amazing.

Keep it cool, 
Lauren Rose
Curbside Fashion 


P.S.
Best of Whip It's Soundtrack
(!!!= extra good)
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~


6.9.13

Film Muse: Dirty Girls

This one was a long time coming. 
For those who are new to this blog - HEY-O! This Film Muse post is going to be about a short film that I discovered about a year ago. It's called Dirty Girls by Michael Lucid. See it HERE

Like most magical things that are regurgitated into this world, I found this bad boy on Tumblr. Circa 1996, the short documentary showcases the lives of an alternative "riot grrrl" group of 8th grade girls. It also documents the local high schoolers' opinions of them.  

**WARNING: people were extra mean in the '90s (???)**
 I liked this film a lot. A LOT A LOT. I know I always talk about how contrived '90s nostalgia is (and bask in it), but for some reason this film makes me truly reminiscent of something I have actually experienced. I think it has to do with the low-fi analog camera they used to film. It was like I was watching my old home videos - that actually weren't mine. Here's a story for you: during my first film class in high school (2009) I remember my teacher showed us some videos that her former students made. She rolled out this massive TV (which is probably in some landfill now) and popped in a VHS tape. We watched this horrible student film from 1994 which involved someone being kidnapped and thrown in a car trunk.  As I watched - something CRAZY happened. What did I see as the criminal escaped down the city streets? MY HOUSE. THEY WERE FILMING IN MY NEIGHBORHOOD. I was probably crying in my crib when they filmed that shot. Everything looked so different yet so familiar. It was weird, seeing my house from someone else's perspective. Tangent? A bit. But with all of that said, it reminds me of something my teacher would have played for us in film class. 

 I remember these high school girls from the video. They were my 16 year old childhood babysitter, Becca.  Becca was like them in so many ways, the clothes, the dark lipstick, the was she talked, even the way she thought. So when I see Becca in my mind - cool older babysitter - and compare them to the Dirty Girls, I immediately feel the opposition and oppression. These girls were the anti-consumerists of the late 90's materialistic culture, and they weren't afraid to show it. 

 ( ^^^ this girl has it figured out ^^^)

You have Amber - head bitch. I really liked Amber. She is someone who I would have wanted to be friends with. The thing about Amber is that although she advocates for women's rights and calls out societies standards - she keeps her cool. Ice cold. She has this air of mystery and composure (even while eating a dirty Life Saver off the ground to fulfill her reputation *high fives via time machine*). Her fellow Dirty Girls on the other hand are a bit haphazard, loud, and relish in the backlash (NOT a bad thing of course, just interesting in comparison) .   

("My housekeeper gave me this shirt!")
Like everything in this world, this film isn't so black and white ( >>right vs wrong). Although the Dirty Girls slam down males' expectations of women and why women shouldn't be subjected to them, they also slut shame and continue to separate themselves from the "preppies". To be fair,  I remember this mentality too, feeling the "us against the world" vibe permanently pump you up but also bum you out. The last thing you want to do is have to explain yourself to those who make your life hell.  That's why this documentary is such an AMAZING piece of history. It shows the true emotions and actions of REAL people, not perfect feminists or accepting high schoolers.  

(The Doom Generation, F-YEAH!)
I loved the zines they made. It sort of makes me want to do a secret one on campus and ambush it everywhere like Courtney does to Fern Mayo's "before" picture in Jawbreaker. Well, I guess it wont be  a secret if I just told you, but whatever. The most heart wrenching part of this film was watching everyone at the high school make fun of the Dirty Girl's zines, mockingly reading their poetry out loud and huddling around like a pack of hyenas ready to rip it to shreds. The only person that doesn't put it down is a nameless '90s cutie. *swoons*

I went to Michael's Youtube page to see if a full follow up documentary was in the works. I did find a interview with present day Harper  (HERE), but nothing of the former.  It was cool to see her - like an old friend. This is what she said in part of the interview: 

At the end of the school year in '96, the long version of Dirty Girls was shown to the whole school, anyone was invited to view it, and I remember at least one in particular upperclassman that approached us and apologized for what she had said. And that was a BIG DEAL. And a lot of people felt like they understood what we were doing at our core, and so even back then in high school we got some positive reactions from that Dirty Girls video. To have people who'd otherwise would have looked twice at you or would just judge you from a distance be like "that's really cool, I really like what you were saying", I mean that was exactly what we- we couldn't of asked for anything better. 
Punk rock. Even shitty people sometimes try to make things right. Also, let's give a shout out to Michael for sharing this gem with us for free on Youtube. You are awesome. With that good vibe I will leave you to your friday night. Have a good one.

Lauren Rose
Curbside Fashion